Built for touring crew

Your avails.
Their holds.
One place.

Touring crew post the dates they’re open. Production finds them by console, cert, and home base — then holds, challenges, and confirms in one place.

Download on the App StoreGet it on Google Play

Blank days count as available

Welcome, Bill M.

August 2026

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bookedon holdrequestedopen

Who wants these dates

Aug 11-13

Kite Productions · Lighting designer

$650/day

Aug 25-28

Kite Productions · Lighting designer

$500/day

Sep 6 - Nov 29

Halberd Staging · Lighting director

$850/day

Dec 2-9

Fuse · Monitor engineer

$700/day
Calendar
Offers
Inbox
Profile

Skill checks · New

Skill checks vet the crew before you hire them

For crew

A résumé says where you have been. A skill check says what you know. Twelve timed questions on your trade, drawn at random, scored by topic. Put the result on your profile or keep it to yourself.

For production

You are hiring someone you have never met on a recommendation from someone you barely know. Skill checks give you something to look at: how they scored, and where they were strong. Ask any crew member to take one.

LightingAudioVideo and LEDRiggingAutomation and stageBacklineProduction and tour managementStage management

Skill checks are not certifications and do not replace ETCP, OSHA or any other credential. They are a quick, honest signal about working knowledge, nothing more.

How skill checks work

For crew · How it works

Three steps, no spreadsheet

01

Post when you’re open

One night or a six-month run. Update it from the bus.

02

Get found by production

Filtered by role, console, cert, and home base — not by who they happened to text.

03

See where you stand

First up, or in line behind one other hold. No more guessing where you sit.

Why we built it

The people who build the show deserve better than a group text

Riggers, LDs, and techs run their whole year out of a phone. The tools they get handed were built for office shifts, not tours.

Sable Rowan tour

Sep – Nov

Lighting
confirmed
FOH
confirmed
Monitors
2nd hold
Rigging
pending
Video
open
bookedon holdstill open

For production · Find the right person

Search the way you actually hire

Not a keyword box. Filter by the console they can fly, the ticket they hold, and whether they’re already in town — then see only the people whose dates are actually open.

  • Console — grandMA3, Eos, S6L, DiGiCo SD
  • Certification — ETCP rigging, OSHA 30, MEWP, CDL
  • Home base — No flights, no hotel, no per diem
  • Dates — Only crew whose calendar is clear
Lighting directorgrandMA3ETCPBNASep 12 – Nov 4

4 available

Marcus R.local

Lighting director · BNA · 14y

$950/day

Elena B.local

Board op · BNA · 4y

rate on request

Sofia M.

Lighting designer · LAX · 16y

rate on request

Devon K.local

Followspot op · BNA · 6y

$480/day

For crew · Your profile

Build it once. Stop retyping it.

Every PM asks the same five questions. Answer them here and they can see it before they call.

Roles

What you do, at what level. Lighting director, up rigger, guitar tech.

Gear

The consoles and systems you can walk up to and run cold.

Tickets

ETCP, OSHA, MEWP, CDL, passport. With expiry dates that don’t go stale.

Credits

Who you’ve toured with. The resume that actually counts.

Rates stay private unless you choose to show them.

For everyone · Messages

Keep it off your texts.

Ask about call times, confirm a load-in, sort out a rate. It all happens in the app, attached to the hold it belongs to, so nothing gets lost in a thread from eight months ago.

  • ✓No giving out your personal number
  • ✓Every message tied to the gig it belongs to
  • ✓Push notifications so you never miss a hold
‹NCNoelle Cavanaugh

Hi Noelle, you open for the Dec 17-18 hold? LED tech, $600/day.

I am. What’s the call time looking like?

8am load-in both days. Venue is downtown.

Works for me. Accepting the hold now.

For crew

One calendar every production manager can see.

  • ✓Answer a hold in two taps
  • ✓Gear, certs, and credits on one page
  • ✓Nobody sees your rate unless you say so
Create your profile

For production

Stop cold-texting forty people to fill four slots.

  • ✓Filter by console, cert, and home base
  • ✓Private hire-again lists, never shared
  • ✓Holds release themselves when they lapse
See who’s available

What it costs.

ProTourBooking is free to use right now, for crew and for production.

Do my crew have to pay anything?+

No. Crew accounts are free and they always will be. Posting your dates, answering holds, building out your gear and certs, messaging a production manager: none of it costs anything, ever. If you are telling your crew to get on here, you are not signing them up for a bill.

Will production companies get charged later?+

Eventually, yes. When that happens it will land somewhere in the range of $10 to $40 a month depending on the size of your company, there will still be a free tier for smaller shops, and we will give plenty of notice first. What it will never be priced on is how many crew you work with. The size of your roster has no bearing on what you pay.

What happens to my profile and my history if pricing changes?+

It stays yours. Your dates, your holds, your crew list, your past bookings. Nothing you build here gets locked behind a payment later on.

Can this be customized for my production company?+

Often, yes. Custom role names, your own gear and certification categories, branding your crew sees, exports that match the paperwork you already use. Head to the contact page and tell us what you need. If it is something other companies would want too, there is a good chance it ends up getting built.

Why is it free now?+

Because a booking tool is only useful if the people you want to hire are already on it. Being genuinely useful matters more right now than charging for it.